STAGE 1 (Truck Stage) - TECHNICAL SPECIFICATION
Event Details
For full event information, see the Event Details (arrival info, site rules, noise management, show stop procedure, H&S, security/pit/SFX, accreditation, catering, accessibility, backstage, guest list, media, merch, visas/work permits).
Line Up
All stage specifications, line-up information, drawing packages and console files:
https://link.trasmundi.uk/truck25
Basic Info
- Event Name: Truck Festival 2025
- Stage Number: 1 of 8
- Stage Name: Truck Stage
- Event Capacity: 30,000
- Site Location: ///stunt.clocking.earphones (see Venue Pack for full details)
- Load in / Load out: If outside 07:00–20:00 on show days, arrival must be discussed in advance with PM/AL
- Production Manager: Mike Trasmundi — +44 (0) 7894 707807 — mike@trasmundi.uk
- Artist Liaison Manager: Callum Beattie — +44 (0) 7582 987925 — callum.beattie@truckfestival.com
- Stage Manager: Tom Kitchen (show day only)
Stage Access Times
| Role / Hours | Thursday | Friday | Saturday | Sunday |
|---|---|---|---|---|
| Stage Live hours | 16:30 – 22:15 | 12:15 – 22:45 | 11:45 – 22:45 | 12:00 – 22:45 |
| Stage Manager Cover | 12:00 – 23:00 | 08:00 – 23:00 | 08:00 – 23:00 | 08:00 – 23:00 |
| Local Crew (x5) Cover | 12:00 – 23:00 | 09:00 – 23:00 | 09:00 – 23:00 | 09:00 – 23:00 |
| Audio Technician Cover | 12:00 – 23:00 | 09:00 – 23:00 | 09:00 – 23:00 | 09:00 – 23:00 |
| Lighting Technician Cover | 12:00 – 23:00 | 09:00 – 23:00 | 09:00 – 23:00 | 09:00 – 23:00 |
| Video Playback Cover | 15:00 – 22:30 | 11:30 – 23:00 | 11:30 – 23:00 | 11:30 – 23:00 |
Access to the site is possible 24 hours from 08:00 Thursday morning to 18:00 Monday afternoon. A Production Manager will be on duty during this full duration. Any access to stages (including overnight vehicle arrivals) outside the stage hours requires advancing with your production contact. Any crew/technician requirements outside the times listed are chargeable.
Staging & Rigging
| Staging Provider | Star Events |
|---|---|
| Structure | 15 m Vertec stage with IMAG wings and SR & SL sheds |
| Access | ~1 m high loading dock backs on to the stage for flat vehicle access. There is a ramp to ground from the dock. |
| Trim Height | 8 m |
| Performance Area | 15 m × 7.7 m @ 2 m |
| Backdrop | Black Wool Serge drape Touring fabric backdrops must be advanced with Production Manager. |
| Guest Rigging | Guest/touring rigging accommodated where possible; advance with Production Manager. |
| FOH | 2-storey 5 m × 5 m @ 1 m & 3.5 m 40 m from DSE |
[Image placeholder: Plan View showing covered areas, demarcation, and key dimensions — Page 4]
[Image placeholder: Front Elevation showing key dimensions — Page 4]
[Image placeholder: FOH Elevation (looking from stage) — Page 4]
[Image placeholder: Right Elevation (note SWR X-bracing between bays) — Page 4]
Audio
| Audio Provider | Encore Sounds Limited |
|---|---|
| PA | d&b audiotechnik J Series |
| Main Hangs | 28× d&b J8, 8× d&b J12 |
| Side Hangs | 8× d&b V8, 4× d&b V12 |
| Front Fill | 8× d&b Y10P |
| Sub Array | 15× d&b J SUB, 4× d&b J INFRA |
| Delays | 12× d&b V8, 4× d&b V12 |
| Amplification | 32× d&b D80 |
FOH Control
- Console: Digico SD12
- Drive Rack:
- Lake LM44 System Processor
- XTA MX36 Console Switching System
- Lenovo ThinkPad E580
- Haun MBNM 550 EL reference mic
- Smaart v8 & Tuning Capture License
- d&b DS10 network bridge
Monitor Control
- Console: Yamaha CL5 Mixing Desk
- 64 ch 3-way Veam Split System with breakouts
Monitor System
- Wedges: 16× d&b M2
- Drums: 2× d&b V SUB
- Side Fills: 4× d&b C4 Sub, 4× d&b C4 Top
- IEMs: Eight-way Shure PSM900 IEM kit (artists to provide in-ears)
Microphones & DI
- 4× Shure UR2 (SM58 cartridges) wireless kit
- 10× Shure SM58
- 10× Shure SM57
- 8× Sennheiser e904
- 2× Shure Beta 91A
- 2× Shure Beta 52A
- 8× Shure KSM137
- 1× Audix D6
- 1× Shure Beta 57
- 2× Sennheiser e906
- 1× Sennheiser MD421
- 2× Audio-Technica AT4050
- 2× Shure VP89m shotgun mic
- 10× Radial J48 active DI
- 6× Radial JDI passive DI
- 4× Radial Pro D2 passive stereo DI
- 6× Proel DM220 switch microphone
- Festival mic stands & cables package
[Image placeholder: Front View highlighting PA system — Page 5]
[Image placeholder: Front View — Delay Towers — Page 5]
RF
All wireless equipment (including microphones, IEMs, and walkie-talkie type radios) must operate on licensed frequencies. Due to the size and multi-stage nature of this event, the RF spectrum is managed by the festival in coordination with Ofcom to avoid clashes/intermodulation. Touring/visiting RF must obtain spot frequencies from the festival RF coordinator and must use these allocations on site. This applies even if you already hold an Ofcom licence (it will not be coordinated for this site and may cause/receive interference). Standard PMSE spot frequencies are charged at £17 per frequency and will be accounted for in settlement; other licence types charged accordingly.
Screenshot 2026-01-21 at 19.14.04.png
Video
| Screen Provider | Colour Sound Experiment |
|---|---|
| Camera & Video Server Provider | Emoji Media |
| IMAG Screens | Panel: Roe CB5 mk2 Physical size: 4800 mm × 4800 mm Resolution: 832 px × 832 px |
| Upstage Screen | None |
| Video Content | Unless advanced otherwise, IMAG screens will display camera feed mixed by festival video engineers during performances. No other content will be displayed. Festival sizzle reels and/or sponsor messages may be shown during changeovers. |
| Video Server | Apple MacBook Pro running QLab Content runs natively at 1920×1080 at 50 fps progressive (see Scaled Visible Area schematic). |
Camera System
- Camera 1: Blackmagic URSA Broadcast G2 — Canon HJ40X10B 10–400 mm — FOH — Operated: Yes
- Camera 2: Blackmagic URSA Broadcast G2 — Fujinon B4 8.5–170 mm — Pit SR — Operated: Yes
- Camera 3: Canon CR-N500 (PTZ) — 8.3–124.5 mm (built-in zoom) — DSL — Operated: Remote
- Camera 4: Canon CR-N500 (PTZ) — 3.67–73.4 mm (built-in zoom) — On Stage — Operated: Remote
- Camera 5: Canon CR-N500 (PTZ) — 3.67–73.4 mm (built-in zoom) — On Stage — Operated: Remote
- Camera 6: Marshall CV503 — 2.3 mm M12 / 2.8 mm M12 — Drum Riser — Operated: Static
[Image placeholder: Front View highlighting video screen locations — Page 6]
[Image placeholder: Pixel Map / Scaled Visible Area schematic — Page 6]
Lighting
| Lighting Provider | Colour Sound Experiment |
|---|---|
| Control | Main Console: GrandMA3 Full Size Backup Console: GrandMA3 Light Network Protocol: ArtNet FOH Loom: 2× Quad MMx, 4× Cat 6a, 3× XLR3, 2× 16a Data: 8-way data rack |
| Atmosphere | 2× Smoke Factory Tour Hazer 2 2× Digi Fan |
Fixtures
| Fixture | Quantity |
|---|---|
| Ayrton Huracan LT | 8 |
| Ayrton Karif LT | 12 |
| Chauvet Strike Array 2 | 12 |
| ETC Source 4 | 3 |
| LEDJ Spectra Flood Q40 | 18 |
| Martin MAC Aura XIP | 19 |
| Robe Robin LEDBeam 150 | 20 |
[Image placeholder: Plan View — Lighting Plot — Page 7]
[Image placeholder: Front Elevation — Lighting Plot — Page 7]
Backline
Drums
Yamaha Stage Custom Birch — Raven Black
- 10"×7" rack tom
- 12"×8" rack tom
- 14"×13" floor tom
- 16"×15" floor tom
- 22"×17" kick drum
- Snare 14"×5.5"
Drum Hardware — Yamaha Stage Custom Birch
- Kick pedal
- Snare stand
- Hi-hat stand
- Yamaha double tom mount/holder
- 2× Yamaha tom arm (short rod)
- 2× Yamaha floor tom legs (set of 3)
- 4× boom cymbal stand
- Drum throne
- Pro drum carpet
Artists must supply own drum breakables.
Bass
- TC Electronic RH750 bass amp
- 2× TC Electronic RS212 bass cab
Guitar
- Marshall JCM900 4100 Dual Reverb 100 W amp
- Marshall 1960A 4×12 guitar cab
- Fender Twin Reverb 65 Reissue 2×12 combo
Accessories
- 3× Hercules guitar stand
- K&M 18950 keyboard table stand
- Double-braced X-style keyboard stand
- Two-tier keyboard stand
SFX
There are no SFX as standard on this stage.
If touring pyrotechnics or SFX are required, these must be advanced for approval with the Production Manager.
Guest Power
- Audio: Shout box & switch mic at FOH and monitors
- Lighting: 4× comms beltpack, 4× comms headsets, 1× comms base station
| Use | Location | Connection | Size / Type |
|---|---|---|---|
| Backline | On stage | Various | 13 A UK domestic sockets |
| Guest Lighting | Stage Right | 125 A 3PNE Ceeform | |
| Guest Audio | Stage Left | 63 A 3PNE Ceeform Distro splitting into 1×63/3, 3×32/1, 3×16/1 |
Any requirements for 110 V US or other international power must be requested in advance.
No distro or step-down adapters are provided unless requested in advance.
Comms
[Section header present in PDF; no additional comms detail text provided beyond power/comms kit — see original pack for any diagrams/notes.]
Site Photo
[Image placeholder: Crowd/stage photo — Page 9]